<p>After a B.A. in Art History, I am currently studying Visual Arts and Curatorial Studies at NABA, Milan. I have matured a strong interest in the research and the curatorship and in the anthropological and psychological nature of the visual arts.</p>
Fino al 14 gennaio la mostra curata da Ester Coen "è solo un inizio. 1968" riempie la prima sala, le gallerie adiacenti e parte
L'Attico fece sparire il rapporto contemplativo tra visitatore e opere, l’immobilismo dello spazio e dell’artista promosso dall'estetica modernista. Perché i suoi artisti navigarono sul
L’enorme lavoro di recupero e poi di pubblica esposizione di documenti e materiali che l’artista cinese Mao Tongqiang mette in atto nei suoi lavori
Domon Ken catturò il vasto spettro di emozioni del popolo giapponese attraverso quasi 50 anni di storia.
Ebbene sì. Monumenta 2016 al Grand Palais di Parigi si è conclusa. Ma sono sorti alcuni pensieri sull’enorme installazione di Huang Yong Ping, Empires,
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That is what Futurism was about: destroying of the old system of ideas in order to give space to the roaring modernity
Rome. The performance that developed April 21 and 22 2016 along the banks of the River Tiber was an inspiring gift by South African
Both Romantic and Symbolist, the work of Gaetano Previati (1852-1920) is part of that last Italian attempt to create an art of an aesthetic
Every artist starts from prototypes. Gagosian gallery (Rome) turns its space into a huge artist studio, displaying and exploring the process and research behind
Shown until 14th February, "Impressionist and Modern. Masterworks from The Phillips Collection" is not the classical art-history-teaching exhibition, nor the chronological table of artistic
Nineteenth and twentieth century art enthusiasts will find their temple in the eternal city, at Galleria Nazionale d’Arte Moderna e Contemporanea (GNAM).
Painting and sculpture in auge at the Lorcan O’Neill. A triumph of the image, the icon, and the symbolic.
Four women stand still. They are staring at you. Someone may say that they are pure forms. I state, instead, that they are the
Art might not be the most current issue in such an historical period. Neither can it do a lot to change the world. Well,
After 10 years Kentridge has come back to Rome with his brand new project and honourable mission.
Shown until December 12 at Fondazione Giuliani (Rome, Italy), “Consequences” is the irreverent curatorial project held by the American artist Jay Heikes.