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Giulia Carletti
Giulia Carletti 30POSTS

giulia.carletti@outlook.com

After a B.A. in Art History, I am currently studying Visual Arts and Curatorial Studies at NABA, Milan. I have matured a strong interest in the research and the curatorship and in the anthropological and psychological nature of the visual arts.

Quell’angolino delicatamente piegato verso l’alto nelle labbra delle cortigiane rivela molto più di qualsiasi testo storico sulla vitalità dei centri cittadini e i “quartieri

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L'Attico fece sparire il rapporto contemplativo tra visitatore e opere, l’immobilismo dello spazio e dell’artista promosso dall'estetica modernista. Perché i suoi artisti navigarono sul

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    Fino al 9 aprile 2017, gli spazi dell’HangarBicocca (Milano) ospiteranno la mostra personale del Turner Prize 2013 Laure Prouvost. GDM – Grand Dad’s Visitor

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Mao Tongqiang Tools

L’enorme lavoro di recupero e poi di pubblica esposizione di documenti e materiali che l’artista cinese Mao Tongqiang mette in atto nei suoi lavori

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Loser Golia

Si è spesso cercato di “inquadrare” Roma, di collocarla in un punto preciso dello spazio e del tempo, di definirla. Sappiamo bene che non

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Sconvolgere e mettere in discussione un ordine prestabilito. L'arte non dovrebbe forse parlarci di questo?

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Domon Ken catturò il vasto spettro di emozioni del popolo giapponese attraverso quasi 50 anni di storia.

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Ebbene sì. Monumenta 2016 al Grand Palais di Parigi si è conclusa. Ma sono sorti alcuni pensieri sull’enorme installazione di Huang Yong Ping, Empires,

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Ci scusiamo, questo articolo è disponibile solo in inglese.

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Ci scusiamo, questo articolo è disponibile solo in inglese.

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That is what Futurism was about: destroying of the old system of ideas in order to give space to the roaring modernity

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Rome. The performance that developed April 21 and 22 2016 along the banks of the River Tiber was an inspiring gift by South African

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Both Romantic and Symbolist, the work of Gaetano Previati (1852-1920) is part of that last Italian attempt to create an art of an aesthetic

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"To become truly immortal a work of art must escape all human limits: logic and common sense will only interfere. But once these barriers

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The exhibition FRACTURES: The Multi-faceted Side of Unity (March 20 – March 28, 2016), is on show at the Scuderie Aldobrandini museum in Frascati

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Yes. It's true. Andy Warhol made pop images and icons reach their climax. Exploring the boundaries between product, production, and reproduction, Warhol was a

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The red walls of Dorothy Circus Gallery host the irreverent show of the American street artist Ron English (1966, Texas).

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Every artist starts from prototypes. Gagosian gallery (Rome) turns its space into a huge artist studio, displaying and exploring the process and research behind

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Shown until 14th February, "Impressionist and Modern. Masterworks from The Phillips Collection" is not the classical art-history-teaching exhibition, nor the chronological table of artistic

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Nineteenth and twentieth century art enthusiasts will find their temple in the eternal city, at Galleria Nazionale d’Arte Moderna e Contemporanea (GNAM).

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Painting and sculpture in auge at the Lorcan O’Neill. A triumph of the image, the icon, and the symbolic.

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Four women stand still. They are staring at you. Someone may say that they are pure forms. I state, instead, that they are the

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Art might not be the most current issue in such an historical period. Neither can it do a lot to change the world. Well,

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On Malraux's birthday week, I suggest you an uncommon retrospective on one of the most influential artists of all times art, given indeed by

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After 10 years Kentridge has come back to Rome with his brand new project and honourable mission.

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Shown until December 12 at Fondazione Giuliani (Rome, Italy), “Consequences” is the irreverent curatorial project held by the American artist Jay Heikes.

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A sincere attachment to a primordial earth and its prime materials is what pervades the variegated oeuvre of a not-so-much-know Italian artist Gastone Primon.

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The entire YBA generation appears throughout the pages of this easily-readable book as seen through the jocose but attentive eye of Gregor Muir –

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A site-specific project of stained-glass windows – doubtlessly magnificent and sensational – is what the exhibition at the Gagosian Gallery in Rome (shown until

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After years of struggles asking permits to the institutions, especially to the Comune di Roma, the South African artist William Kentridge finally succeeded to

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